by Daniele Delerme Flores
A Photographic History of the Sartorially Inclined Goniffs, Gamblers, and Gangsters of the Inter-War Years, 1920-1945
“Look at him. . . He’s the best dressed man in the room. . . When you meet men like Strauss, draw quickly and shoot accurately . . . Don't be afraid to muss 'em up. Make it disagreeable for them. Drive them out of the city. Teach them to fear arrest. Make them fear you. . . . Don't be afraid to manhandle them … Mark 'em up and muss 'em up. Blood should be smeared all over that velvet collar."
So spoke New York City Police Commissioner Lewis Valentine to a roomful of detectives on the morning of November 26, 1934, after Harry Strauss arrived at Police Headquarters in his chesterfield overcoat for questioning in connection with yet another unsolved murder. Although an artist with an ice-pick and one of Murder Incorporated’s most prolific triggermen, it was on account of Strauss’ sartorial achievements that the boys called him “The Beau Brummell of Brownsville.”
Strauss is just one of the infamous characters to be found in The Best Dressed Man In The Room, a photographic history of the sartorially inclined goniffs, gamblers, and gangsters of the inter-war years. The photographs have been compiled from a variety of sources, including private collections and newspaper archives. The photographic collections, organized by criminal organization, are accompanied by essays based on research drawn from primary and secondary sources, and trial transcripts.
Size & Fit
Standard Portrait, 7.75×9.75 in, 20×25 cm